| A teoria do romanse; o romance do século XVIII: a) romance de viagem e aventura - imperialismo, escrsvidão e crítica: Robinson Crusoe. de Daniel Defoe, Gulliver's Travels de Jonathan Swift, Algerine Captive, de Royal Tyler; b) romance epistolar: Pámela, de Samuel Richardson; c) romance satírico e picaresco: Joseph Andrews, de Henry Fielding e Roderick Randon, de Tobias Smolett; d) romance de terror: The Castle of Otranto, de Horace Walpole, Vathek, de William Beckford, The Mysteries of Udolpho, de Mrs. Ann Radcliffe, Wieland e Edgard Huntly, de Charles Brockden Brown; e) outros romancistas: Laurence Sterne, Oliver Goldsmith, James Fenimore Cooper, William Hill Brown, Suzana Rowson, Hugh Henry Brackenridge, Gilbert Imlay, Royal Tyler. O romance do século XIX: a) romance de viagem, heroismo e aventura - imperialismo, escravidão e crítica: Ivanhoe de Sir Walter Scott, Moby Dick, de Herman Melville, The Adventures of Tom Sawyer e The Adventures of Huckleberry Finn, de Mark Twain, Treasure Island, de Robert Louis Stevenson, Heart os Darkness e The Secret Agent, de Joseph Conrad; b) romance de temas sociais: Hard Times, de David Copperfield e Oliver Twist, de Charles Dickens, Jane Eyre, de Charlotte Brontë, Tess of the d'Ubervilles e Jude, the Obscure, de Thomas Hardy e Vanity Fair, de William Makepeace Thackeray; c) romance satírico, picaresco ou de tema feminista: Pride and Prejudice, Emma, Sense and sensibility e Persuasion, de Jane Austen e Little Woman, de Louisa May Alcott; romance de terror e mistério: The Christmas Carol, de Charles Dickens, Frankenstein, de Mary Shelley, The Scarlet Letter, de Nathaniel Hawthorne, Wuthering Heights, de Emily Brontë, The Woman e the Moonstone, de William Wilkie Collins, The Strange Case of Dr. Jekyl and Mr. Hyde, de Robert Louis Stevenson e The Picture of Dorian Gray, de Oscar Wilde; e) outros romancistas: Stephen Crane, Harold Frederic, George Eliot, Mrs. Gaskell, Charles Kingsley, Charles Reade, Antony Trollope, George Meredith, Ambrose Bierce e Anthony Hope. |