| Estudo e prática de Técnicas Composicionais - manipulação e exploração de elementos musicais do século XX, politonalismo, pós-tonalismo, atonalismo, serialismo, aleatorismo e audição comentada de obras representativas do século XX, com ênfase em obras de pequenas dimensões. |
| BRINDLE, Reginald Smith. Musical Composition. New York: Oxford University Press, 1986. /////// COPE, David. Techniques of the Contemporary Composer. New York: Schirmer Books, 1997. /////// LESTER, Joel. Analytic Approaches to Twentieth-Century Music. New York: Norton, 1989. /////// PERLE, George. Serial Composition and Atonality.Berkeley and Los Angeles: University of California Press, 1962. ////// PERSICHETTI, Vincent. Twentieth Century Harmony. New York: Norton, 1961. /////// GROUT, Donald Jay. A History of Western Music. Shorter Edition, Rev. New York: Norton, 1973. /////// Krammer, Jonatham D. The Time of Music. New York: Schirmer Books, 1988. /////// The New Grove Dictionary of Music and Musicians. Ed. Stanley Sadie. 20 vols. London: Macmillan Publishers, 1980. /////// SIMMS, Bryan R. Music Of Twentieth Century: An Anthology. New York: Schirmer Books, 1986. /////// STRAUSS, Joseph. Introduction to Pos-Tonal Theory. Englewood Cliffs, NJ: Prentice-Hall, 1990. /////// WEBERN, Anton. O caminho para a música nova. Trad. Carlos Kater. São Paulo: Novas Metas, 1984. /////// |